Monday, September 4, 2023

Nights In White Satin by The Moody Blues

Another memory from <God, I can't believe it...> over 50 years ago <sigh> Am I REALLY THAT old? It's amazing what memories a song can bring back. I can't remember what I had for breakfast just a few hours ago, but a song from over 50 years ago can bring back a memory so vivid and clear that it could have just happened.

1969, one hell of a year...Graduated high school, scared stiff over the "draft", gained a "Love", enlisted in the Navy and had no idea of what to expect, went to a high school prom - that dress REALLY accented her bu...bre..."womanly" features, began a career that lasted almost 50 years...and lost a "love". 


Nights In White Satin by The Moody Blues, one of the few "popular" songs that made it into my "country music" era. The video above, consists of clips of Paris and the famous monuments there, and the band singing the song from a staircase to in front of what appears to be a statue and a patterned room. The video has over 63 million views since its upload in 2006.

Justin Hayward started writing the song after he was dumped by a girlfriend. Remembering a gift a different girlfriend had given him he eventually wrote a song that became a multi million-selling, era-defining classic.

First released in November 1967, Nights In White Satin was a masterpiece that bridged pop and symphonic music, with a lyric ripped directly from Hayward’s personal life – it finds him caught between ecstasy and despair, between the end of one love affair while embarking on a new one.

“There was a lot of emotion that went into the song,” Hayward affirms. “I was nineteen or twenty at the time, living in a two-room flat in Bayswater with Graeme [Edge, Moody Blues drummer] and our girlfriends. I came back from a gig one night, around four or five in the morning, when the birds were just twittering, I sat on the side of the bed and wrote a couple of verses. The only people writing in the Moodies then were [keyboard player] Mike Pinder and myself. He’d been working on a song called Dawn Is A Feeling, which I’d heard him fiddling around with, and I knew the other guys were expecting something from me at rehearsal the next day.”

Searching for some kind of metaphor for his emotional turmoil, Hayward remembered the recent gift he’d been given. “Another girlfriend, who was neither the one that had just dumped me or the one that I was then going with, had given me some white satin sheets. They just happened to be in my suitcase and I was trying them out in this place that Graeme and I lived in. They were very romantic-looking, but totally impractical.”

Shaped by producer Tony Clarke and arranger/conductor Peter Knight, Nights In White Satin became a sumptuous epic in the studio. It formed the centerpiece of the Moodies’ second album, Days Of Future Passed, a dawn-to-darkness song cycle that made full use of the Mellotron’s ability to simulate an orchestra. Topped off by a spoken-word poem, Late Lament, Hayward’s song clocked in at nearly seven and a half minutes. Nights was duly edited down as a single, although not everyone at Deram, Decca’s new subsidiary label, was convinced of its worth.

The song continues to enjoy a prolonged afterlife. South Carolina’s Hard Rock Park in Myrtle Beach has unveiled the Nights In White Satin: The Trip - theme park, a sensory experience based on Hayward’s tune, with on-board audio, digital effects and psychedelic imagery.

So, what's MY memory of a ROCK song invading my era of country and western music? Like it's writer, I felt as though I had been "dumped" by my then girlfriend. I remember I was in the Navy, just out of bootcamp and just entered Electronic Technician "A" school at Great lakes, Ill. On a weekend liberty I went to my girlfriend's apartment in Chicago. When I left I kinda felt as if I had just gotten dumped. On the train ride back to Great Lakes I remember hearing the song and the "low and slow" "Oh I love you oh how I love you." Kinda had me down for a while.

The down feeling didn't last long, in a few months when I graduated, I was sent to California...I learned what "I wish they all could be California girls" meant (I later married one). The Moody Blues and hometown girls were quickly forgotten. It's good that when you are young you can just "push the past aside" and start over again. When you get older, it's harder to just "push stuff aside" and start over. Our character might say "forget it - move on" but our emotions, that only strengthen over the years, say "not yet, give it one more try, maybe something can be worked out". ... It's those strengthened emotions that let us smile and shake hands with one of those things that didn't go exactly the way we wanted it to. How we handle memories adds to those qualities that define our character. 

Now when I hear Nights in White Satan, I get nostalgic and remember home - new Lenox Ill., high school, the draft, a girl. Memories remind me that life changes, instead of being sad over lost loves, things that I did wrong or things I should have done or not done, I'm happy that I had an opportunity to just live and add strength to my emotions and build the qualities distinctive to the Pogi Americano.

The Moody Blues perform "Nights in White Satin" and "Late Lament" at the 2018 Ceremony


City of New Orleans

One of my favorites is a song about a train ride from my hometown of Chicago to New Orleans.


One of the great American songs of the late twentieth century is “City of New Orleans.” The song was originally written and recorded by Steve Goodman but made famous by Arlo Guthrie

"City of New Orleans" is a country folk song describing in bittersweet and nostalgic terms, a train ride from Chicago to New Orleans on the Illinois Central Railroad's train called "City of New Orleans". Goodman got the idea while traveling on the Illinois Central line for a visit to his wife's family.

While at the Quiet Knight bar in Chicago, Goodman saw Arlo Guthrie, and asked to be allowed to play a song for him. Guthrie grudgingly agreed, on the condition that if Goodman bought him a beer, Guthrie would listen to him play for as long as it took to drink the beer. Goodman played "City of New Orleans", which Guthrie liked enough that he asked to record it. The song was a hit for Guthrie in 1972.

The City of New Orleans was a train that the Illinois Central Railroad began operating in April 1947. The overnight train had the longest daytime regularly scheduled route in the country for a time. The train went between New Orleans, Louisiana and (my hometown) Chicago, Illinois. In May 1971, Amtrak took over the City of New Orleans train. The company converted it to a nighttime route, renaming it the Panama Limited.

After the song “City of New Orleans” became popular in the 1970s, Amtrak, hoping to capitalize on the song’s popularity, brought back the “City of New Orleans” train name in 1981.

Riding on the City of New Orleans
Illinois Central Monday morning rail
Fifteen cars and fifteen restless riders
Three conductors and twenty-five sacks of mail
All along the southbound odyssey
The train pulls out at Kankakee
Rolls along past houses, farms and fields
Passin' trains that have no names
Freight yards full of old black men
And the graveyards of the rusted automobiles

Good morning America how are you?
Don't you know me I'm your native son
I'm the train they call The City of New Orleans
I'll be gone five hundred miles when the day is done

Dealin' cards with the old men in the club car
Penny a point ain't no one keepin' score
Won't you pass the paper bag that holds the bottle
Feel the wheels rumblin' 'neath the floor
And the sons of Pullman porters
And the sons of engineers
Ride their father's magic carpets made of steam
Mothers with their babes asleep
Are rockin' to the gentle beat
And the rhythm of the rails is all they dream

Good morning America how are you?
Don't you know me I'm your native son
I'm the train they call The City of New Orleans
I'll be gone five hundred miles when the day is done

Nighttime on The City of New Orleans
Changing cars in Memphis, Tennessee
Half way home, we'll be there by morning
Through the Mississippi darkness
Rolling down to the sea
And all the towns and people seem
To fade into a bad dream
And the steel rails still ain't heard the news
The conductor sings his song again
The passengers will please refrain
This train's got the disappearing railroad blues

Good night, America, how are you?
Don't you know me I'm your native son
I'm the train they call The City of New Orleans
I'll be gone five hundred miles when the day is done

The Eagles

They always bring the memories back from a time that as I look back on it now, I really had no "worries" My supervisor or "CO" was responsible for everything. All I had to do was keep my equipment running. ... A time wen we could "Take it to the Limit!" ... And we did.

Eagles Live 2021 "You just can't kill the beat!"
 
Colosseum: The Complete Reunion Concert 1994 - FULL
 

I went through my 20's and started my 30's with the Eagles. They were known in EVERY Liberty port on the Pacific. Every bar, restaurant and whore house played the Eagles. It's amassing, how music can make memories come flooding back.

Listening to this stuff, I remember Mombasa Kenya. We had to anchor out and take a whaleboat in...There was no "port" the boat captain just ran the boat ashore. We had heavy seas coming in so we were all soaked when we made landfall. The taxi drivers saw us coming in and lined up for us. 

After we climbed up from a rocky beach. I was with 4 other guys, we crammed into an old Toyota taxi. The driver didn't know any English so we made an "eating" motion and he shook his head yes. When he stopped, he said "steak" and pointed to the building. We thought GREAT! paid him and went in. I think it was probably water buffalo, you needed a chainsaw to cut it. Well, anyway we ate and got up to settle the bill, we sent one guy outside to flag down a taxi. Just about that time we could hear a radio playing "Hotel California." Kinda appropriate for what came next...A few minutes later our taxi hailer comes running in, said "the taxi driver knows one English word...Whorehouse... Ya want to go?" We learned later that it was a big hotel "downtown" that threw a party for the ship's company. The food was better and the beer flowed. And the Eagles was played.


"You just can't kill the beat!"
 
And where would we be without...
 
Hotel California
 
Or
 
 Or
 
 
 
 
 

 

Baker Street


What a haunting sax...they don't make music like this anymore. It's funny how you can hear a tune and it can transport you over decades to a place you barely recognize anymore.

Most people remember “Baker Street” for its wailing saxophone, and I was for many years no different. But at some point — a few years after I left the Navy — I
began to pay attention to the song’s lyrics. They go like this:

Winding your way down on Baker Street
Light in your head and dead on your feet
Well, another crazy day
You'll drink the night away
And forget about everything
This city desert makes you feel so cold
It's got so many people, but it's got no soul
And it's taken you so long
To find out you were wrong
When you thought it held everything
You used to think that it was so easy
You used to say that it was so easy
But you're trying, you're trying now
Another year and then you'd be happy
Just one more year and then you'd be happy
But you're crying, you're crying now
Way down the street there's a light in his place
He opens the door, he's got that look on his face
And he asks you where you've been
You tell him who you've seen
And you talk about anything
He's got this dream about buying some land
He's gonna give up the booze and the one-night stands
And then he'll settle down
In some quiet little town
And forget about everything
But you know he'll always keep moving
You know he's never gonna stop moving
'Cause he's rolling, he's the rolling stone
And when you wake up, it's a new morning
The sun is shining, it's a new morning
And you're going, you're going home


The first few lines could have been written to describe me. 

Light in your head and dead on your feet
Well, another crazy day
You'll drink the night away
And forget about everything

That was me, I was drinking my nights away at a tavern across the street from my apartment. I didn't have a "care in the world" because I just didn't care about anything. Just work, drink, sleep, then repeat.

I was in San Diego, where "it was happening" whatever "it" was. But I didn't see it. It wasn't happening to me nor was "it" any part of my life. 

This city desert makes you feel so cold
It's got so many people, but it's got no soul
And it's taken you so long
To find out you were wrong
When you thought it held everything

When I got out of the Navy I landed a really good job, it payed very well and I had medical benefits. I also had a nice place to live. I thought it would be easy to transition into civilian life. It wasn't. I suffered from PTSD and drank myself to sleep every night to keep from having nightmares. ... I kept telling myself it was easy, and in another year, I'll be happy.

You used to think that it was so easy
You used to say that it was so easy
But you're trying, you're trying now
Another year and then you'd be happy
Just one more year and then you'd be happy
But you're crying, you're crying now

The rest could be about my friend Chris. The "place" was Jimmy's Bar and Grill across the street from my apartment, where I spent most of my nights. Chris was the night bartender.

Way down the street there's a light in his place
He opens the door, he's got that look on his face
And he asks you where you've been
You tell him who you've seen
And you talk about anything
He's got this dream about buying some land
He's gonna give up the booze and the one-night stands
And then he'll settle down
In some quiet little town
And forget about everything
  you know he'll always keep moving
You know he's never gonna stop moving
'Cause he's rolling, he's the rolling stone
And when you wake up, it's a new morning
The sun is shining, it's a new morning
And you're going, you're going home

Happily, my life changed one night when an old friend, Walter happened by and we talked ...Well, he talked and I drank for a couple of hours. Walter made sure I got home that night and as he turned to leave he dropped my keys on my chest, shook his head and said "I knew you when you were good." His last line stuck with me. It made me to want to get better and do something with my life.

Sometimes I think back on those days, mostly when I hear a song from that era or see an old picture. It is kind of haunting, difficult to ignore and forget. Not the best time of my life, a time I wish I could forget, a time I wish never happened. I guess that's why the wailing saxophone effects me so much.

 

Sweet Home Chicago! (My Hometown)

It's stuff like this that brings you back to your roots. It brought back memories of visiting my Grand Parents in Chicago. Trips to the Amphitheater once a year for the International Car Show. The big Sears store and "Monkey-Ward". Zales, White Castle, all the "Old Style" tavern signs, the Field Museum and Museum of Science and Industry. Big buildings lots of people and traffic. 

Several kinds of "streetcars" and buses and the "L" train through the city. And my weekend train trips from Great Lakes Naval Station through the Northwest train station then a walk through downtown to the LaSalle Street Station for my train to New Lenox.

Probably most of that stuff is gone. It's kind of sad, it's "progress" - I know, but it's still sad that the things that make something unique and stick in your memory are the first things that disappear. But the music lives on forever.



This is what happens when you put the 5 best guitar players in the world together in the same room (Buddy Guy, Eric Clapton, Johnny Winter, Robert Cray, Hubert Sumlin). They fight over who plays lead guitar in  - "Sweet Home Chicago"  Buddy Guy stole this show, Eric was just another guitar player. HA! can you even imagine Eric - just another guitar player?
 
"Sweet Home Chicago" is a popular blues standard in the twelve bar form. It was first recorded and is credited to have been written by Robert Johnson. Over the years the song has become one of the most popular anthems for the city of Chicago despite ambiguity in Johnson's original lyrics.
 
Look who came to this party of "Who's Who" of the Blues ...
 

Buddy Guy gets President Obama to sing a verse of Sweet Home Chicago! ... I think "New Orleans" just dropped off into the gulf of Mexico. 

 

Finale Performance of "Sweet Home Chicago" featuring Eric Clapton, Bonnie Raitt, James Taylor, members of Earth, Wind & Fire, Lovin' Spoonful, Robbie Robertson and Melissa Etheridge at the 2000 Rock & Roll Hall of Fame Induction Ceremony. 
 
Check out some of the "meanings" of the lyrics - Sweet Home Chicago
 
BTW - If Sweet Home Chicago doesn't ROCK you...You're OFF you're rocker!